My Sukkot post from last year.
A fall harvest ritual from Temple days, being revived by the New Shul.
I wish I'd seen this before I went shopping for ritual objects on Sunday: How to pick an etrog. Mine is yellow and elongated and fits nicely in my hand, with a perky little pitom.
Did you know that when it's not being about the harvest, Sukkot is all about the Apocalyse?
The three festivals form a unit, a dramatically coherent structure, as Jewish law makes clear when it emphasizes the importance of getting to work on building your sukkah just as soon as Yom Kippur is over. The yearly sequence--Rosh Hashanah, then Yom Kippur, then Sukkot--sets out, in miniature, a narrative of the history of mankind.
It is a drama in three acts. First comes the Jewish New Year, commemorating the beginning of God's creation, the conception of the world. Sandwiched in the middle there is Yom Kippur, the Day of Atonement, which stresses the struggle of every person to overcome the thoughtlessness, selfishness, indeed the evil in himself. This represents the phase of history in which we live now. While man travels down the corridor of time--proceeding from the beginning to the end, whether of his life or of the life of humankind as a whole--the main object of his struggles must be to strengthen the good, which means overcoming evil.
At the conclusion comes Sukkot, with its references to the end point of the human experience. Without Sukkot, we would have only the one-two sequence of Rosh Hashanah and Yom Kippur, suggesting that a struggle must go on forever, with no hope of an ultimate victory--a depressing prospect. But there is indeed hope. Each Sukkot is a preview of what it will be like to experience the culmination and conclusion of the historical process, lending the festival the atmosphere of joy for which it is known.
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